Past Productions
Below please find a sampling of past seasons performances. To learn more about the below productions, please contact the box office at 617-627-3493.
2023-2024
- Marie Antoinette, Written by David Adjmi, Directed by Noe Montez, October 26-28 & November 3-5, 2023
- Fall Dance Concert 2023, works from faculty members Jenny Lustig Rhoton, Daniel McCusker, and Shefali Jain, as well as a piece choreographed and performed by Dance Program Alum Pearl Young (’22), November 17-18, 2023
- TDPS: A Winter Workshop Festival, work from three department courses taught by Taylor Travassos-Lomba, Brian Lilienthal, and Maurice Parent, December 8-9, 2023
- Twelfth Night, Conceived Kwame Kwei-Armah & Shaina Taub, Music & Lyrics by Shaina Taub, Directed by Amelia Estrada, February 29, March 1-2, & March 8-10, 2024
- Spring Dance Concert 2024, work from senior student choreographers, April 19-20, 2024
2022-2023
- The Interrobangers, Written by M Sloth Levine, Directed by Jo Michael Rezes, October 27-29 & November 6, 2022
- Fall Dance Concert 2022, work from senior student choreographers, faculty choreographer, Jaclyn Waguespack, and commission from guest artist Hyung Ji Yu, November 18-19, 2022
- TDPS: A Winter Workshop Festival, work from three department courses taught by Kareem Khubchandani, Renata Celichowska, Sheriden Thomas, and Meghan Pearson, December 9-10, 2022
- Red Rainbow, Written by Azure D. Osborne-Lee, Directed by Lily Mengesha, March 2-4 & March 12, 2023
- Spring Dance Concert, work from senior student choreographers & faculty choreographer, Jenny Oliver, April 14-15, 2023
2021-2022
- Almanac: The Musical, Book, Music, Lyrics by Harrison J. Clark & Benjamin H. Mizrach, Directed by Maurice Emmanuel Parent, November 4-6 & 12-14, 2021
- Fall Dance Concert 2021, work from senior student choreographers, faculty choreographers, Renata Celichowska & Jenny Oliver, and commissions from guest artists Ian Berg & Genevieve Du Paul, November 19-20, 2021
- Spring Awakening, Book & Lyrics by Steven Sater, Music by Duncan Sheik, Based on the play by Frank Wedekind, Directed by Barbara Wallace Grossman, March 3-5 & 11-13, 2022
- Spring Dance Concert 2022, work from senior student choreographers & faculty choreographer, Jenny Oliver, April 23-24, 2022
2020-2021
- Silent Sky, By Lauren Gunderson, Directed by Bridget Kathleen O'Leary, April 30, 2021 and May 1-6, 2021
- The Government Inspector, Adapted by Jeffrey Hatcher from the original by Nikolai Gogol, Directed by Sheriden Thomas, April 2, 2021 and April 3-8, 2021
2019-2020
- Henrik Ibsen's En Folkefiende (An Enemy of the People), A new version by Brad Birch, Directed by Noe Montez, October 24-26 and October 31-November 2, 2019
- Sense and Sensibility, By Kate Hamil, Based on the novel by Jane Austen, Directed by Barbara Wallace Grossman, Movement in Collaboration with Daniel McCusker, February 27-29 and March 5-7, 2020
2018-2019
- Violet, Music by Jeanine Tesori, Lyrics and Book by Brian Crawley, Based on "The Ugliest Pilgrim" by Doris Betts, Directed by Bridget Kathleen O'Leary
- Much Ado About Nothing, By William Shakespeare, Directed by Sheriden Thomas
- Jihad Jones and the Kalashnikov Babies, By Yussef El Guindi, Directed by Heather S. Nathans
2017-2018
- Kin, By Bathsheba Doran, Directed by Barbara Wallace Grossman
- Lysistrata, Based on Ellen McLaughlin's adaptation and translation of Aristophanes' Lysistrata, Directed by Sheriden Thomas
- Fires in the Mirror, By Anna Deavere Smith, Directed by Bridget Kathleen O'Leary
2016-2017
- Gem of the Ocean, By August Wilson, Directed by Monica White Ndounou
- The King Stag, By Carlo Gozzi, Adapted and Directed by Natalya Baldyga in collaboration with Daniel McCusker
- Desire Under the Elms, By Eugene O'Neill, Directed by Heather S. Nathans
2015-2016
- Daybreak, By Joyce Van Dyke, Directed by Barbara Wallace Grossman
- Next to Normal, Music by Tom Kitt, Book & Lyrics by Brian Yorkey, Directed by Noe Montez
- Venus in Fur, By David Ives, Directed by Sheriden Thomas
2014-2015
- From Orchids To Octopi: An Evolutionary Love Story By Melinda Lopez, Directed by Natalya Baldyga
- Is He Dead?, A new comedy by Mark Twain as adapted by David Ives, Directed by Laurence Senelick
- Richard III, By William Shakespeare, Directed by Gibson Cima
2013-2014
- Welcome to Arroyo's by Kristoffer Diaz, Directed by Noe Montez
- Rent book, music and lyrics by Jonathan Larson, Directed by Barbara Wallace Grossman
- Or, by Liz Duffy Adams, Directed by Sheriden Thomas
2012-2013
- Our Private Lives by Pedro Miguel Rozo, Directed by Laurence Senelick
- Measure for Measure by William Shakespeare, Directed by Sheriden Thomas
- bobrauschenbergarmerica by Charles Mee, Directed by Natalya Baldyga
2011-2012
- Oedipus and Antigone by Sophocles, translations by Peter D. Arnott, Directed by Downing Cless
- Our Class by Tadeusz Slobodzianek, English version by Ryan Craig, Directed by Barbara Wallace Grossman
- The Underpants by Carl Sternheim, adaptation by Steve Martin, Directed by Ted Simpson
2010-2011
- The Alchemist by Ben Jonson, adapted by Barry Edelstein, Directed by Laurence Senelick
- The Importance of Being Earnest by Oscar Wilde, Directed by Sheriden Thomas
- The Arabian Nights by Mary Zimmerman, Directed by Luke Jorgensen
2009-2010
- Kiss Me, Kate with music and lyrics by Cole Porter, book by Sam and Bella Spewack, Directed by Barbara Wallace Grossman
- Hedda Gabler by Henrik Ibsen, Directed by Sheriden Thomas
- for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange, Directed by Monica White Ndounou
2008-2009
- The Madwoman of Chaillot By Jean Giraudoux, Translated by Laurence Senelick, Directed by Downing Class
- Anything to Declare? By Maurice Hennequin and Pierre Veber, Translated and Directed by Laurence Senelick
- The Pillowman By Martin McDonagh, Directed by Luke Jorgensen
2007-2008
- Big Love by Charles L. Mee, Directed by Michaela Goldhaber
- Rosencrantz & Guildenstern are Dead by Tom Stoppard, Directed by Sheriden Thomas
- Alarm Clock by Zhao Yaomin, Translated and Directed by Claire Conceison
2006-2007
- The Seagull by Anton Chekhov, Translated and Directed by Laurence Senelick
- Rain. Some Fish. No Elephants by Y York, Directed by Downing Cless
- Company by Stephen Sondheim, Directed by Barbara Wallace Grossman
2005-2006
- The School for Scandal by Richard Brinsley Sheridan, Directed by Sheriden Thomas
- The Fifth of July by Lanford Wilson, Directed by Don Weingust
- Heads or Tails? by Meng Jinghui, Directed by Claire Conceison
2004-2005
- Parade by Alfred Uhry, Directed by Barbara Wallace Grossman
- Monster by Neal Bell, Directed by Laurence Senelick
- Hay Fever by Noel Coward, Directed by Sheriden Thomas
2003-2004
- Doctor Faustus by Christopher Marlowe, Directed by Downing Cless
- A Piece of My Heart by Shirley Lauro, Directed by Sheriden Thomas
- Noises Off by Michael Frayn, Directed by Luke Jorgensen
2002-2003
- Broadway by Phillip Dunning and George Abbott, Directed by Laurence Senelick
- A Little Night Music by Stephen Sondheim, Directed by Barbara Wallace Grossman
- Twelfth Night by William Shakespeare, Directed by Don Weingust
2001-2002
- Romeo and Juliet by William Shakespeare, Directed by Anthony Cornish
- The Playboy of the Western World by J.M. Synge, Directed by Sudipto Chatterjee
- Six Degrees of Separation by John Guare, Directed by Luke Jorgensen
2000-2001
- The Merry Wives of Windsor by William Shakespeare, Directed by Anthony Cornish
- Crazed Women (The Bakkhai) by Euripides, Translated and Directed by Laurence Senelick
- Tales of the Lost Formicans by Constance Congdon, Directed by Barbara Wallace Grossman
1999-2000
- Love for Love by William Congreve, Directed by Anthony Cornish
- The Skin of our Teeth by Thorton Wilder, Directed by Downing Cless
- Hayavadana by Girish Karnad, Directed by Sudipto Chatterjee
1998-1999
- The Inspector General by Nikolai Gogol, Translated and Directed by Laurence Senelick
- Macbeth by William Shakespeare, Directed by Anthony Corish
- Arcadia by Tom Stoppard, Directed by Barbara Wallace Grossman
1997-1998
- The Raw, the Cooked and the Rotten by Marco Antonio de la Parra, Directed by Judith Williams
- The Illusion by Tony Kushner, Directed by Barbara Wallace Grossman
- Peer Gynt by Henrik Ibsen, Directed by Anthony Cornish
1996-1997
- The Hostage by Brendan Behan, Directed by Laurence Senelick
- Hamlet by William Shakespeare, Directed by Anthony Cornish
- Alice in Wonderland based on the book by Lewis Carroll, Directed by Downing Cless
1995-1996
- Stage Door by Edna Ferber and George S. Kaufman, Directed by Anthony Cornish
- Henry V by William Shakespeare, Reconstructed and Directed by Robert O'Hara
- The Learned Ladies by Moliere, Directed by Barbara Grossman
1994-1995
- The Winter's Tale by William Shakespeare, Directed by Anthony Cornish
- Five Plays from The Kentucky Cycle by Robert Schenkkan, Directed by Downing Cless
- The Visit by Friedrich Durrenmatt, Directed by William Sun
1993-1994
- Ghetto by Joshua Sobol February, Directed by Laurence Senelick
- Machinal by Sophie Treadwell, Directed by Bruce Shapiro
- Our Country's Good by Timberlake Wertenbaker, Directed by Barbara Wallace Grossman
1992-1993
- Our Town by Thornton Wilder, Directed by Sherwood Collins
- The Crackwalker by Judith Thompson, Directed by Bruce Shaprio
- The Threepenny Opera by Bertolt Brecht, Directed by Downing Cless
1991-1992
- Dedication Gala: Potpourri Performances by Alumni, Directed by Bruce Shapiro
- Quietus by Cynthia Cooper, Six Characters in Search of an Author by Luigi Pirandello, Directed by Neal Hirsig
- The Golden Age by Louis Nowra, Directed by Bruce Shapiro
- The Birds by Aristophanes, Directed by Downing Cless
1990-1991
- Noises Off by Michael Frayne, Directed by Neal Hirsig
- The Eumenides by Aeschylus, Directed by Bruce Shapiro
- A Midsummer Night's Dream by William Shakespeare, Directed by Downing Cless
1989-1990
- Marat/Sade by Peter Weiss, Directed by Downing Cless
- The Handmaid's Tale by Margaret Atwood, Performance Text Written by and Directed by Bruce Shapiro
- The Man Who Hated People by Menander, Translated and Staged by Peter Arnott
- Cloud 9 by Caryl Churchill, Directed by Marianne M. Kubik
1988-1989
- Scenes From American Life by A. R. Gurney, Jr., Directed by Vincent Murphy
- All's Well That Ends Well by William Shakespeare, Directed by Bruce Shapiro
- Largo Desolato by Vaclav Havel and Catastrophe by Samuel Beckett, Directed by Bruce Shapiro
- A View from the Bridge by Arthur Miller, Directed by Sherwood Collins
1987-1988
- The White House Murder Case by Jules Feiffer, Directed by Downing Cless
- Love's Comedy by Henrik Ibsen, Adapted and Directed by Bruce Shapiro
- Antigone by Jean Anouilh, Directed by Peter D. Arnott
- Tartuffe by Moliére, Directed by Peter A. Davis
1986-1987
- Lysistrata by Aristophanes, Directed by Downing Cless
- In the Fourth Decade and..., Created and Directed by Lisa F. Hillyer
- Fanshen by David Hare, Directed by Bruce G. Shapiro
- The Madman and the Nun by S. I. Witkiewicz, Directed by Bill Reichblum
1985-1986
- Easy Targets by Mark Diamond, Directed by Vincent Murphy
- The Matchmaker by Thornton Wilder, Directed by Iris M. Fanger
- A Doll's House by Henrik Ibsen, Directed by Peter D. Arnott
- Love and Intrigue by Friedrich Schiller, Translated and Directed by Laurence Senelick
1984-1985
- The Year Boston Won the Pennant by John Ford Noonan, Directed by Downing Cless
- Uncle Vanya by Anton Chekhov, Translated by Laurence Senelick, Directed by Vincent Murphy
- No Exit by Jean-Paul Sartre, Directed by Peter Arnott
- Pathways to Madness by Jules Henry, Script by Matthew Calhoun, Directed by Vincent Murphy
1983-1984
- Androcles and the Lion by George Bernard Shaw, Directed by Sherwood Collins
- Restoration by Edward Bond. Staged by Kalman A. Burnim
- Vatzlav by Slawomir Mrzek, Directed by Vincent Murphy
- The Lower Depths by Maxim Gorky, Adapted and Directed by Downing Cless
1982-1983
- Puntila and His Hired Man by Bertolt Brecht, Directed by Downing Cless
- Woyzeck by George Buchner, Conceived and Directed by Jacques Chwat
- Ring Round the Moon by Jean Anouilh, Directed by Peter Arnott
- The Merchant of Venice by William Shakespeare, Directed by Laurence Senelick
1981-1982
- The Miser by Moliere, Translated and Directed by Peter Arnott
- Ladyhouse Blues by Keving O'Morrison, Directed by Downing Cless
- Waiting for Godot by Samuel Beckett, Directed by Julia A. Portman
- Dead Souls, from the comic epic by Nikolai Gogol, Written and Directed by Laurence Senelick
1980-1981
- Camino Real by Tennessee Williams, Directed by Downing Cless
- The Tempest by William Shakespeare, Directed by Julie A. Portman
- Summit Conference by Robert David MacDonald, Directed by Laurence Senelick
- The Royal Hunt of the Sun by Peter Shaffer, Directed by Kalman A. Burnim
1979-1980
- The Haunted House by Plautus, Directed by Peter Arnott
- All My Sons by Arthur Miller, Directed by Sherwood Collins
- Major Barbara by George Bernard Shaw, Directed by Downing Cless
- Agamemnon by Aeschylus, Adapted and Directed by Julie A. Portman
1978-1979
- The Knight of the Burning Pestle by Beaumont and Fletcher, Directed by Peter Arnott
- The Diary of Anne Frank by F. Goodrich and A. Hackett, Directed by Kalman A. Burnim
- Jest by C.D. Grabbe, Adapted by Jan Kirschner and Keffrey Starr, Directed by Jan Kirschner
- The Sea by Edward Bond, Directed by Sherwood Collins
1977-1978
- The Congresswomen by Aristophanes, Directed by Peter Arnott
- The Tooth of Crime by Sam Shepard, Directed by Jan Kirschner
- The Love Suicides at Amijma by Chikamatsu, Directed by Eric Forsythe
- The Ghost Sonata by August Strindberg, Directed by Laurence Senelick
1976-1977
- Endgame by Samuel Beckett, Directed by Mark Ammons
- The Lady from the Sea by Henrik Ibsen, Directed by Eric Forsythe
- The Threepenny Opera by Bertolt Brecht, Directed by Laurence Senelick
- Medea/Aedem developed by The Medea Company, Directed by Mark Ammons
1975-1976
- Richard III, by William Shakespeare, Directed by Lester W. Thompson, Jr., October 21-25, 1975
- Ceremonies in Dark Old Men, by Lonne Elder III, Directed by Ernie Stewart, March 2-6, 1976
1974-1975
- Brecht on Brecht, by George Tabori, Directed by Harry M. Ritchie, October 1974
- Celestina, The Spanish Bawd, or, The Tragicomedy of Calisto & Melibea, by Fernando De Rojas, translated by James Mabbe, adapted and directed by Laurence Senelick, November 19-23, 1974
- The House of Blue Leaves, by John Guare, Directed by Lester W. Thompson, Jr., March 4-8, 1975
- Le Bourgeois Gentilhomme, by J. B. P. Moliere, translated and directed by Peter Arnott, April 22-26, 1975
1973-1974
- Awake and Sing, by Clifford Odets, co-directed by Sherwood Collins and William Schreiner, October 9-13, 1973
- The Cherry Orchard, by Anton Checkov, translated by Laurence Senelick, directed by Harry M. Ritchie, November 12-17, 1973
- Old Times, by Harold Pinter, directed by Lester W. Thompson, Jr., April 15-20, 1974
- Total Eclipse, by Christopher Hampton, directed by Laurence Senelick, May 20-25, 1974
1972-1973
- Macbeth, by William Shakespeare, directed by Lester W. Thompson, Jr., November 13-18, 1972
- Tartuffe, or The Imposter, by Molière, translated by Richard Wilbur, directed by Laurence Senelick, April 23-28, 1973
1971-1972
- The Killer, by Eugène Ionesco, directed by Peter Arnott, October 19-23, 1971
- Women Beware Women, by Thomas Middleton, directed by Richard E. Hughes, November 30-December 4, 1971
- The Hostage, by Brendan Behan, directed by Richard E. Hughes, March 21-25, 1972
- The Comedy of the Insects, by Josef and Karel Capek, translated by Paul Selver, directed by Kalman A. Burnim, May 2-6 & 11-12, 1972
1970-1971
- Rosencrantz and Guildenstern are Dead, by Tom Stoppard, directed by Harry M. Ritchie, October 21-24, 1970
- After the Fall, by Arthur Miller, directed by Anthony Cornish, November 18-21, 1970
- Gorilla, Gorilla, by David Ball, and The Poet's Papers, by David Starkweather, directed by Bret Lyon, March 17-20, 1971
- A Midsummer Night's Dream, by William Shakespeare, directed by Anthony Cornish, May 3-8, 1971
1969-1970
- A Flea in Her Ear, by Geroges Feydeau, translated by John Mortimer, directed by Sherwood C. Collins, October 1-5, 1969
- Britannicus, by Jean Racine, translated by Samuel Solomon, directed by Peter Arnott, December 3-7, 1969
- Jimmy Shine, by Murray Schisgal, directed by John Peakes, March 4-8, 1970
- Charlie is My Darling Cried the Darling Little Girl, written and directed by Dick Bakkerud, May 7-9, 1970
1968-1969
- Oh What a Lovely War! by Joan Littlewood, directed by John Peakes, November 13-16 & 20-23, 1968
- The Viper of Seville, adapted by James Duckett from El Burlador de Sevilla y el convidado de piedra by Tirso de Molina, directed by Anthony Cornish, February 14-15 & 20-22, 1969
- Serjeant Musgrave's Dance, by John Arden, directed by Sherwood C. Collins, April 11-12 & 16-19, 1969
1967-1968
- Uncle Vanya, by Anton Checkov, directed by Harry M. Ritchie, October 27-28 & November 2-4, 1967
- Let's Get a Divorce, by Victorien Sardou and Emile de Najac, translated by Angela and Robert Goldsby, directed by Arnold Wengrow, March 1-2 & 7-9, 1969
- Antigone, by Sophocles, directed by Edward A. Langhans, April 19-20 & 24-27, 1968
1966-1967
- Chips with Everything, by Arnold Wesker, directed by Sherwood Collins, October 21-22 & 27-29, 1966
- 'Tis Pity She's a Whore, by John Ford, directed by Harry M. Ritchie, December 9-10 & 15-17, 1966
- The Devils, by John Whiting, directed by Kalman A. Burnim, April 14-15 & 20-22, 1967
1965-1966
- The Devil's Disciple, by George Bernard Shaw, directed by Harry Ritchie, October 22-23 & 28-30, 1965
- The House of Bernarda Alba, by Federica Garcia Lorca, translated by James Graham-Lujan and Richard L. O'Connell, directed by Sherwood Collins, December 8-11, 1965
- Stop the World... I Want to Get Off, by Leslie Bricusse and Anthony Newley, directed by William Grandgeorge, February 23-26 & March 2-5, 1966
- The Visit, by Friedrich Durrenmatt, adapted by Maurice Valency, directed by Kalman A. Burnim, April 14-16 & 21-23, 1966
1964-1965
- Miss Jairus, by Michel de Ghelderode, directed by Donald C. Mullin, October 16-17 & 22-24, 1964
- Cock-a-Doodle Dandy, by Sean O'Casey, directed by Sherwood C. Collins, December 4-5 & 10-12, 1964
- Epitaph for George Dillon, by John Osborne and Anthony Creighton, directed by Marston Balch, February 19-20 & 25-27
- The Three Sisters, by Anton Checkov, directed by Harry M. Ritchie, April 16-17 & 22-24, 1965
1954-1955
- The Flies, by Jean-Paul Sarte, translated by Stuart Gilbert, directed by Marston Balch, November 4-6 & 11-13, 1954
- The Importance of Being Earnest, by Oscar Wilde, directed by Otto Ashermann, January 6-8 & 13-15, 1955
- Lady in the Dark, book by Moss Hart, music by Kurt Weill, lyrics by Ira Gershwin, directed by William Kearns, April 16, 22, 23, 1955
1953-1954
- The Glass Menagerie, by Tennessee Williams, directed by Marston Balch, November 6-7 & 13-14, 1953
- Twelfth Night (or, What You Will), by William Shakespeare, directed by Ruth Elder, January 7-8 & 14-15, 1954
- A Connecticut Yankee, book by Herbert Fields, music by Richard Rodgers, lyrics by Larry Hart, directed by John R. Woodruff, March 5-6 & 11-13, 1954
- The Country Girl, by Clifford Odets, directed by William Kearns, April 23-24, 29-30 & May 1, 1954
1952-1953
- The Traitor, by Herman Wouk, directed by Marston Balch, November 14-15 & 21-22, 1952
- The Time of Your Life, by William Soroyan, directed by John R. Woodruff, March 13-14 & 20-21, 1953
- The Inspector-General, by Nickolai Gogol, translated and adapted by John Dolman, Jr. and Benjamin Rothberg, directed by Marston Balch, May 1-2 & 8-9, 1953
1951-1952
- The Adding Machine, by Elmer Rice, directed by John R. Woodruff, October 26-27 & November 2-3, 1951
- Ah, Wilderness! by Eugene O'Neill, directed by Marston Balch, December 7-8 & 15-16, 1951
- Captain Jinks of The Horse Marines, by Clyde Fitch, directed by John R. Woodruff, February 29 & March 1, 7-8, 1952
- Fashion, by Anna Cora Mowatt, directed by Ruth Elder, April 25-26 & May 2-3, 1952
1950-1951
- Excursion, by Victor Wolfson, directed by John R. Woodruff, October 20-21 & 26-28, 1950
- Three's a Company, by Joseph Golden, directed by Philip N. Johnson, December 7-9 & 14-16, 1950
- An Enemy of the People, by Henrik Ibsen, directed by Marston Balch, March 9-10 & 16-17, 1951
- You Never Can Tell, by George Bernard Shaw, directed by Ruth Elder, April 20-21, 26-28 & May 5, 1951
1949-1950
- The Devil and Daniel Webster, by Stephen Vincent Benet, directed by Marston Balch, and Down In the Valley, by Kurt Weill and Arnold Sundgaard, directed by John R. Woodruff, October 28-29 & November 4-5, 1949
- The Circle, by W. Somerset Maugham, directed by John Woodruff, November 18-19 & December 16-17, 1949
- She Stoops to Conquer, by Oliver Goldsmith, directed by Marston Balch, December 2-3 & 9-10, 1949
- Beggars in Paradise, by Gaston-Marie Martens, translated and directed by Marston Balch, April 21-22 & 26-29, 1950
1948-1949
- The Devil's Disciple, by George Bernard Shaw, directed by Marston Balch, October 29-30 & November 5-6, 1948
- The Steamship Tenacity, by Charles Vildrac, translated by Germaine and Marston Balch, directed by John R. Woodruff, January 14-15 & 20-22, 1949
- The Chief Thing, by Nikolai Evreinov, translated by William L. Laurence, directed by Marston Balch, March 25-26, 31 & April 1-2, 1949
- An Evening of European Drama: Miss Julie, by August Strindberg, translated by Edwin Bjorkman, and The Wedding Morning, by Arthur Schnitzler, adapted by Grandville Barker, directed by Marston Balch, May 19-21, 1949
1947-1948
- The Taming of the Shew, by William Shakespeare
- Bury the Dead, by Irwin Shaw, directed by Marston Balch, January 9-10 & 16-17, 1948
- Dark of the Moon, by Howard Richardson and William Berney, directed by Marston Balch, April 2-3 & 8-9, 1948
- Biography, by S.N. Behrman, directed by Marston Balch, May 20-22, 29 & June 19, 1948
1946-1947
- The Skin of Our Teeth, by Thornton Wilder, directed by Marston Balch, November 5-8, 1946
- Hotel Universe, by Philip Barry, directed by Marston Balch, January 15-18, 1947
- Three Men on a Horse, by John Cecil Holm and George Abbott, directed by John R. Woodruff, March 26-29, 1947
- Antigone, by Jean Anouilh, translated and adapted by Lewis Galantiere, directed by Marston Balch, May 14-17, 1947
1945-1946
- Right You Are, (If You Think So), by Luigi Pirandello, directed by John R. Woodruff, January 8, 10, 12, 1946
- Of Mice and Men, by John Steinbeck, directed by John R. Woodruff, February 5, 7, 9, 1946
- Claudia, by Rose Franken, directed by John R. Woodruff, April 9-13, 1946
- Postscript, by Norman W. Ashton, directed by John R. Woodruff, May 22-25, 1946